the NAKBA ... الـنـكـبــَـة حـق يـآبــى الـنـسـيــَـان

Monday, 31 March 2008

Bouchra Lana بشرى لنا ♪ Hadj Mohamed Bajdoub With Azzedine Benkirane orchestra الحاج محمد باجدوب بمشاركة جوق الاستاذ عزالدين بنكيران

Album : Bouchra Lana بشرى لنا
Artists :
Hadj Mohamed Bajdoub With Azzedine Benkirane orchestra
الحاج محمد باجدوب بمشاركة جوق الاستاذ عزالدين بنكيران
Country : Morocco -:- المغرب
Melodies :
♪ . Bouchra Lana بشرى لنا
♪ . Ah Ya Soultani آه يآسلطاني
..Chadrat Mine Nouba ;
..شذرات من نوبة
.Rasd Adayle W'Alg'chak
.رصد الذيل و الغشاق
.Insiraf Btayhi Rasd Adayle
.انصراف بطايحي رصد الذيل
.Temaa Insiraf Quddam
.ثم انصراف القدام
.Insiraf Btayhi
. انصراف بطايحي
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Hadhra, Chants Soufis الحضرة, إنشاذ صوفي ♪ Fadhel Jaziri الفاضل الجزيري

Album : Hadhra, Chants Soufis الحضرة, إنشاد صوفي

Artist : Fadhel Jaziri الفاضل الجزيري

Country : Tunis -:- تونس

Melodies :
Disc: 1

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(1). Invocation - Cheours

(2). Frères

(3). Premier Maître - Taoufik Doghman, Skander Harrar, Abderrahmane B. Mahmoud

(4). Désirs - Moez Boukraa, Fethi Hattab, Hassan Hattab, Salah Sghaier

(5). Invocation - Hamadi Ressaissi

(6). En Joie la Nuit - Lotfi Bouchnak

(7). Vin du Sommelier - Hechmi Tinsa, Mohamed Tmessek

(8). Chadili - Samir Ressaissi

(9). Allons Pauvres - Jamel Boukraa, Mohamed Tmessek

(10). Marie - Jalel Dbira, Abderrazak Ettounssi, Mohamed Ouni, Samir Ressaissi

(11). El Béji

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Disc: 2

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(1). Cajolé de Dieu

(2). Chevalier - Jamel Boukraa,

(3). Grâce... - Abderrazak Ettounssi,

(4). Miséricorde/ Le Sceau - Jalel Dbira, Taoufik Doghman, Fethi El Ouergui, Mohamed Ouni,

(5). Artisan

(6). Nativité - Lotfi Bouchnak

(7). Maître Parfait

(8). Salut [Instrumental] - Fadhel Jaziri

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Downlod From Here

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Melodies of the Oud تقاسيم العود ♪ George Michel جورج ميشيل

Album : Melodies of the Oud تقاسيم العود
Artist : George Michel جورج ميشيل
Country : Egypt -:- مصر
Melodies :
(01). El Mawkeb
(02). Taksim Rast
(03). Taksim Ajam
(04). Taksim Hijaz Kar
(05). Taksim Nahawand
(06). Taksim Seygah
(07). 'Ataba on the Oud"
(08). Longa Hijaz Kar Kurdi
(09). Taksim Hijaz Kar Kurdi
(10). Taksim Rast
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Blues In Khartoum نغمات في الخرطوم ♪ Abdel Gadir Salim عبد القادر سليم


Album : Blues In Khartoum نغمات في الخرطوم

Artist : Abdel Gadir Salim عبد القادر سليم

Country : Sudan -:- السودان

Melodies :
(1). Rada Al-Qulayb: Give Me Back My Tender Little Heart
رذي القليب
(2). Bitzid Min 'Adhabi: She Increases My Pain
بتزيد من عذابي
(3). Ghannu Ya Ikhwani: Sing, O My Brothers
غنوا يآ خواني
(4). Jamil Al-Sourah: The Beautiful Face
جميل الصورة
(5). Ghaba Nawmi: I Can No Longer Sleep
غاب نومي
(6). Qidrechinna: I Am Destined To Love
كيدرشينّا
(7). Ana Batraki: I Am Under Your Spell
أنا بتراكي
(8). Maktul Hawak: Tied By Your Love
مقتول هواك
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Download From Here

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Abdel Gadir Salim On Wiki :
http://en.wikipedia.org/wiki/Abd_El_Gadir_Salim

Zohra Lajnef زهرة الاجنف ♪ Zagrag زفراف


Album : Zagrag زفراف

Artist : Zohra Lajnef زهرة الاجنف

Country : Tunis -:- تونس

Melodies :
(1)- Tallit
(2)- Soud nthara
(3)- Gssou b awtanhom
(4)- 3al thir3ana
(5)- Targ gibli
(6)- Bèlê bdèlê
(7)- Ragrag
(8)- Ya jbal ya âali
(9)- Rodd el niba
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Download From Here

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More Infs About Zohra Lajnef Read Bloc-Note
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Saturday, 29 March 2008

Echoes from the Past صدى من ماضٍ ♪ Bassem Rizk باسم رزق


Album: Echoes from the Past صدى من ماض

Artist: Bassem Rizk باسم رزق

Country : Lebanon -:- لبنان

Melodies :
(1). To my father الى أبي
(2). Hanine حنين
(3). Cartoons صور متحركة
(4). Hijaz kar حجاز كار
(5). Echoes from a past صدى من ماضٍ
(6). Organza أورغانزا
(7). Hamasat همسات
(8). Story of the roses حكاية ورود
(9). Virtuose فيرتويوز
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Sentir إحساس ♪ Omar Sosa عمر سوسا


Album : Sentir إحساس

Artist : Omar Sosa عمر سوسا

Country : Cuba-Morocco -:- كوبا-المغرب

Melodies :
(1). Opening for Elegguá
(2). Sucesion en Blanco
(3). Rojo Changó
(4). Manto Blanco
(5). Toridanzón
(6). Azul Yemayá
(7). Oda al Negro
(8). Sister in Yellow
(9). Cielo y Mar Azules
(10). Tres Notas en Amarillo
(11). Rojo y Negro
(12). Eggun
(13). Sentir
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Download From Here

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Omar Sosa is one of the most versatile jazz artists on the scene today: composer, arranger, producer, pianist, percussionist, and bandleader. He fuses a wide range of world music and electronic elements with his native Afro-Cuban roots to create a fresh and original urban sound - all with a Latin jazz heart. On stage, Mr. Sosa is a charismatic figure, inspiring his fellow musicians with his dynamic playing and improvisational approach to the music - an approach full of raw emotional power and humor. Mr. Sosa invariably inspires audiences to their feet and to join him in chorus vocals, heightening the sense of spontaneity and connection ... The official site. Includes news, photos, biographies, interviews, reviews, and tour dates :
About the Album : Omar Sosa moves from idea to idea, sound to sound, and theme to theme with the attention span of a 4-year-old boy with ADD. Once the Cuban-born pianist immigrated to San Francisco in 1995, he released several albums in quick succession, each with little in common with the others and each featuring a different lineup and influences. Sentir offers an interesting mix of several Moroccan musicians, a rapper, a Cuban vocalist, a Venezuelan percussionist, and the hyperactive Sosa on piano. As one would imagine, there are surprises around every bend as the album unfolds. Highlights include choruses of interwoven vocals--particularly on "Sister in Yellow"--the rich calliope and percussion throughout, and the romantic "Tres Notas en Amarillo." Somehow the Moroccan-Cuban-Latin fusion works for Sosa. This is in part because the songs move along quickly, seldom waiting for ideas to play out. But it's also due to taste and pacing: the album contains some quiet moments that give the listener time to breathe. For music fans with a bent for musical multiculturalism, Sentir is a global music adventure well worth taking.

Friday, 28 March 2008

Ma yela ما يلا ♪ Akli D اكلي ذ


Album : Ma yela ما يلا

Artist : Akli D اكلي ذ

Country : Algeria -:- الجزائر

Melodies :
(1). Salam
(2). C Facile
(3). Tabrats
(4). Good Morning Tchechenia
(5). Achu Ayen
(6). DDA Mokrane
(7). Barman
(8). Tamurt
(9). Ar Paris
(10). Malik
(11). Arwah
(12). Ma Yela
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Download From Here

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The official site. Includes news, photos, biographies, interviews, reviews, and tour dates
http://www.aklid.com/

Akli D is a Berber performer and songwriter born in rural Algeria, an artist whose unique style combines North African Chaâbi music and the folk traditions of the country’s Kabylie region mixed with everything from the American protest song to the Mississippi blues and even echoes of m’balax, Senegal’s modern pop music.
These rich ingredients have been cooked to perfection on ‘Ma Yela’ (‘If There Was’), his new album, on Because Music, produced by the legendary Manu Chao whose own 1998 album ‘Clandestino’ was a landmark in global Latin fusion. Chao, of course, was also responsible for Amadou & Mariam’s worldwide hit, ‘Dimanche à Bamako’ in 2005.
Akli D – Akli Dehlis - was born in Kerouan, a small village in the Kabylie region east of Algiers. He is a Berber, the non-Arab people who, since prehistoric times, have inhabited the southern Mediterranean coastline from Egypt to the Atlantic. The Berbers dominated North Africa until the Arabs conquered it in the Seventh century.
For as long as he can remember, Akli D was surrounded by Berber music. Indeed, his mother was a traditional folk singer so it was perhaps inevitable that his musical ambitions began to crystallise when his reached his teens. Akli D’s early favourites were such popular Kabyl singers as Idir and Cheikh El Hasnaoui et Slimane Azem although the family’s radio also picked up the popular music of America and France.
In March 1980 police stopped the writer Mouloud Mammeri from entering the town of Tizi Ouzou to give a lecture on ancient Berber poetry. Students took to the streets in the Kabylie region and later in Algiers and, on 20th April, the security forces stormed Tizi Ouzou University. These events, known as the ‘Berber Spring’, centred on the language issue – the Kabyles see their cultural and linguistic heritage in pre-Islamic North Africa.
The Berber Spring marked a bitter new era in Algeria, resulting in tens of deaths and hundreds of political prisoners. For the young Akli D it eventually meant exile in Paris.
He became a street musician, playing in public squares and in the Parisian Metro. Little by little, he tried out many different musical genres - blues, rock, reggae, folk - all of which later influenced his compositions.Akli D’s other passion was cinema. It led him to take an Actor’s Studio course at the Café de la Danse in Paris, at which time ‘mektoub’ (destiny) intervened in the shape of an American patron. Akli D moved in San Francisco where, in addition to his studies, he played at the Cafe Internationale and other clubs, performing his wholly original and totally eclectic collection of songs.
Eventually returning to Paris – Akli D also spent some time living in Ireland after his American experience – his career became totally centred on music. Akli D accompanied two female singers in a chaâbi-saharian blues combo called El Djazira and went on to form his first group, Les Rebeuhs des Bois. The band played the city’s café and club circuit, enabling Akli D to properly hone the songwriting skills reflected in ‘Anefas Trankil’ – ‘Let Him Be’ in the Berbers’ Tamazight language – his debut album, released on the small Next Music label in 2001.
There is one small café that Akli D has always particularly favoured. It is in the Menilmontant area of Paris, a quarter heavily populated by Arab and North African communities. The café encourages spontaneous musical encounters, a place where people pick up guitars, bendirs and derboukas and jam through the night. And it was in this particular café that Akli D met Manu Chao.He was mesmerised by Akli D, an artist who read Kabyl poetry over folk, gypsy-jazz and Chaâbi music. This initial meeting led to Chao’s offer to produce Akli D’s second album resulting, of course, in ‘Ma Yela’.
‘Ma Yela’ embraces a wider musical spectrum and lyrical concerns. The songs are a radical call to action, speaking of everything from aid to Chechen orphans and the fight for registration of illegal immigrants to the battle of Algerian women against the family code, a commitment that so distinguishes this extraordinary talent and his unique new Algerian music.
Sources of lyrics :
SALAM
Words mixed together, Salam in Arabic, Shalom in Hebrew, Alikum shalom for peace and fraternity.The evocation of a dream land where populations meet as simply as words.
CHECHNIA
(words from Chechen children)“Tchetchenia” is the cry of a child of war, a child who doesn’t understand the horrors surrounding him and even less what might justify them.This song was born of a meeting between the artist and Chechen children. Led by calm music with Malian influences, a healing song, like an African griot.
MALIK
The revolutionary power of reggae, the mandol for Kabyl origins, Malik is a tragic destiny, that of Malik Oussekine, a pacifist student who died under the blows of the police at the famous student demonstration of 1986. A song in his memory, which is not meant to judge or aggress, but to say “never again”.
MOKRANE D.
The story of this calm Kabyl who managed to salvage the Berber culture, who faced his destiny as an Algerian, while refusing to submit or even to flee into exile.
C. FACILE
“It’s easy… it’s hard”, a time for derision and humour.Hispanic music with gipsy sounds, like a tribute to all the nomads of this world. A song full of smiles about immigration, exile and uprooting.
AR PARIS
More than a love song, “AR Paris” is a youthful dream of living love in the open, from the streets of Alger to those of Paris…
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Eclipse كسوف الشمس وخسوف القمر ♪ Hamza El Din حمزة الدين



Album : Eclipse كسوف الشمس وخسوف القمر

Artist : Hamza El Din حمزة الدين

Country : Sudan -:- السودان

Melodies :
(1). Helalisa (Nubian Song)

(2). The Visitors

(3). Ollin Arageed

(4). Your Love Is Ever Young

(5). Mwashah

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Download From Here

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Posted By FolkmusicSMB :

Escalay (The Water Wheel)(Oud Music From NUBIA) -- Hamza El Din حمزة

http://folkmusicsmb.blogspot.com/2008/03/escalay-water-wheeloud-music-from-nubia.html

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The official site. Includes news, photos, biographies, interviews, reviews, and tour dates

http://www.hamzaeldin.com/

Claude Chalhoub ♪ كلود شلهوب

Album : Claude Chalhoub كلود شلهوب
Artist : Claude Chalhoub كلود شلهوب
Country : Lebanon -:- لبنان
Melodies :
(01). Red desert
(02). Gnossienne
(03). Baddour
(04). Oriental images
(05). Don't wake me up
(06). Kaa
(07). Two angels
(08). Melancholia
(09). Don't wake me up (Spring mix)
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Born in 1974 in Lebanon, into a family of musicians, Claude was first introduced to the violin by his father, who played the rebeck. When he was eight, his brother gave him his first violin, and he began to play at home with his family, mostly improvising to Arabic music. He then joined the Beirut Conservatory, but as the war in Lebanon led to its closure, Claude was forced to continue his musical studies by himself.
Seemingly, his self-taught technique was good enough to meet academical standards, because at the age of eighteen he was awarded the prestigious Queen Elizabeth The Queen Mother Scholarship, which enabled him to pursue his studies at the Royal College of Music in London, under the tutorship of Professor Grigory Zhislin and later Rodney Friend. There he was introduced to an extensive repertoire of classical music, not only during classes, but also by listening to symphonic orchestras whenever possible. It wasn’t just classical repertoire he absorbed at the time: living in London, where there is music from every corner of the planet, Claude was exposed to an array of musical cultures. He listened to Indian music, African music, Chinese music, looking for sounds to fuse together.
During his fourth year of studies at the Royal College of Music, this search led to the first recording session of his own music, "Red Desert“, which combined Arabic improvisations with the sound of an Indian tabla and a string octet.
In 1997, for his final recital, he also chose a self-penned composition, "Oriental Images“, which won him the First Prize for Best Performance, and his debut concert on the stage of St. John’s in London’s Smith Square paved the way for a series of live dates in London and abroad.
In 1999, Claude was invited to Weimar in Germany to join the West-Eastern Divan Orchestra, conducted by Daniel Barenboim. The aim of this "West Eastern Divan“ was to give young musicians from the Middle East and Germany an opportunity to study and play together. Barenboim chose Claude as musical director of the orchestra.
Claude’s improvisation attracted so much attention that he was offered a recording contract with Warner Brothers. In the summer of 2000 he began to record his debut, self-titled album with producer Michael Brook at the Sound Factory in Los Angeles. This record features Pakistani singer Forroukh Fateh Ali Khan, the brother of the legendary Nusrat.

كلود شلهوب ينسج موسيقاه حلماً
بين الشمس والضباب نسج كلود شلهوب موسيقاه حلماً ترفل به مخيلته المضمّخة بجمالات لبنان ورقي لندن. إبن القاع البقاعية حملته موهبته إلى الجامعة الملكية للموسيقى في لندن بمنحة من الملكة اليزابيت. وهناك صقل شغفه وموهبته بالعلم والخبرة، ليصبح موسيقياً يؤلف ويعزف فيسحر سامعيه. رفيقه كمان تأثر بإحساس صاحبه ففاض رقة وجمالاً. كلود شلهوب، لبناني آخر حمل موهبته متجولاً بين عواصم العالم، عازفاً أجمل ما أنتجته الموسيقى الكلاسيكية من مقطوعات، ومقدماً موسيقاه الخاصة إلى جمهور يتقن الاصغاء للمبدعين، ويعرف كيف يقدّرهم
رحلة عازف
في القاع، البلدة البقاعية الواقعة على حدود لبنان، ولد عازف الكمان والمؤلف الموسيقي كلود شلهوب العام 1974 في عائلة موسيقية، معظم أفرادها الأحد عشر يعزفون على آلات موسيقية مختلفة، كالعود والأكورديون والبيانو...والده السيد سامي شلهوب، ووالدته السيدة هند شحود. استرقت الأذن الموسيقية لإبن الثماني سنوات السمع للألحان والأنغام، فحاول عزفها على آلة الأكورديون، لكن حجم هذه الآلة أرهقه، ومنعه من المتابعة. فاتجهت موهبته نحو آلة الكمان، فأحبها وتعامل معها منذ طفولته كآلة ذات قيمة موسيقية، وليس كلعبة يلهو بها. حاول الغوص في معانيها وأسرارها، وطرح على نفسه تساؤلات كبيرة: لماذا يمكن إصدار الأصوات الموسيقية من خلال هذه الآلة، وليس اللحن الموسيقي (عكس الأكورديون)؟...
هذه التساؤلات ولدت لديه التحدي والإصرار، فانتسب العام 1983 الى الكونسرفتوار وأصبح زميلاً لأشقائه في دراسة آلة الكمان - المنهج الغربي، والمواد النظرية للموسيقى والسولفيج
الحرب الأليمة التي كانت تعصف في لبنان في تلك الآونة، حالت دون متابعة كلود دراسته الموسيقية بشكل طبيعي ومستمر، فاعتمد على الاجتهاد الشخصي، وبمعاونة شقيقه حبيب شلهوب (عازف عود وكمان وأكورديون)، بدأ يكتشف ميله الى الموسيقى الكلاسيكية الغربية. العام 1993 قرر السفر لمتابعة دراسته الموسيقية والتعرف الى تاريخ الموسيقى العالمية وروادها. جواز عبوره كان مقطوعات كلاسيكية عزفها وسجلها على كاسيت أرسل نسخاً منه الى الجامعات والمعاهد الموسيقية في باريس ولندن وبرلين وروما... جاء الجواب بقبوله في المعهد الموسيقي الفرنسي (باريس) وكذلك في المعهد الموسيقي الألماني. أما الجامعة الملكية للموسيقى في لندن، فأرفقت قبولها اياه كطالب بمنحة تغطي تكاليف الدراسة والمسكن والإقامة، علماً ان هذه المنحة (منحة الملكة إليزابيت الأم) نادراً ما تمنح للأجانب
إستطاع كلود شلهوب نقل مشاعره من خلال عزفه بعفوية وسهولة الى أعضاء اللجنة الفاحصة للطلبات المقدمة، فتم تمييزه بين آلاف الطلاب المتقدمين من مختلف دول العالم. فانتسب الى الجامعة التي تعتبر من أهم الجامعات الموسيقية في أوروبا. وإلى المنحة التي تلقاها، ساهم المغترب اللبناني الأصل السيد سهيل سابا في دعم كلفة إقامته طوال فترات الدراسة. حاز كلود شلهوب الإجازة في علم الموسيقى وحضارتها العام 1997، كما نال شهادة الماجستير العام 2000، وهو يقوم حالياً بالتحضير لشهادة الدكتوراه في جامعة بوسطن في الولايات المتحدة الأميركية
إحتراف وأداء متميز
اكتسب كلود في الجامعة الملكية للموسيقى في لندن أصول العزف على آلة الكمان، ودرس تاريخ الموسيقى، وأساليب المدارس الفنية والثقافية التي تنتمي الى حقبات مختلفة. لكن ما اكتسبه من لندن على ما يقول تجاوز المعرفة الأكاديمية التي حصّلها، فالمدينة الراقية بفنونها والعريقة بهندستها وتقاليدها أثرت في أسلوبه كعازف ليرتقي أعلى درجات التعبير والدقة، وينقل إلى جمهوره عدوى عشقه للموسيقى. يقول شلهوب: «إن الموسيقى صوت جميل ننقله للآخرين بمشاعره الإنسانية وبمعانيه السامية. الموسيقى لا تحدها كلمة ولا يحدها وزن، إنها عالم فسيح الأرجاء في هذا الكون العظيم. إنها لغة تحاكي جميع الشعوب». ويضيف انه «على الموسيقي أن يكتسب المعرفة والثقافة الموسيقية والأداء الجيد». من جهته وضع هذه القاعدة نصب عينيه فكانت خلف سطوع نجمه ونجاحه المبكر والواسع في مختلف دول العالم. فلقد شارك كعازف منفرد في أرقى الحفلات الموسيقية في كبرى دول العالم كألمانيا وفرنسا وبريطانيا وكندا وسويسرا وإيطاليا وأميركا. كما أحيا عدة حفلات في لبنان، اثر عودته العام 2003، وشارك كعازف منفرد في أمسية للأوركسترا الوطنية بقيادة وليد غلمية حيث عزف مقطوعات لبيتهوفن وموزار وغيرهم... فأدهش الحاضرين
يقوم كلود شلهوب اليوم بتدريس آلة الكمان في المعهد الوطني العالي للموسيقى الكونسرفتوار، كما يتبع تأليف الموسيقى وتوزيعها. وهو يعتبر ان التأليف الموسيقي مرتبط بالعمل الجدي وبالعلم والثقافة، ولا علاقة له بالحالات النفسية التي يمرّ بها الإنسان. ألّف موسيقى لأفلام عديدة، «هولييود بودا» للمخرجة سالي بوتر، وفيلم «يس» ، وأصدر ألبومه الأول العام 2001، بالتعاون مع شركة "ورنير برادر" للتوزيع. وهو اليوم بصدد تحضير ألبومه الثاني
جوائز وتقدير
حاز عازف الكمان والمبدع كلود شلهوب جوائز عديدة منها
جائزة الملكة إليزابيت على أجمل حفل موسيقي للعام 1998
.- جائزة «باخ» عن عزف «أشاكون» العام 1999 في لندن
.- جائزة تقديرية لعزفة مقطوعة موسيقية من تأليفه في مهرجان تراومزيت - المانيا

Wednesday, 26 March 2008

Mashreq Classics/Oriental Art Music فن المشرق ♪ Ziryab Trio الثلاثي زرياب

Album :
Mashreq Classics/Oriental Art Music فن المشرق
Artists :
Ziryab Trio الثلاثي زرياب
Taiseer Elias / Oud
Nassim Dakwar / Violin
Zohar Fresco / Riqq
Avraham Salman / Qanoun
Emmanuel Mann / Bass

Country : Israel - Palestine -:- فلسطين - اسرائيل
Melodies :
(01). Longa Riad
(02). Sihr Al-Sharq (Magic Of The Orient)
(03). Chutwat Habibi (Steps Of My Beloved)
(04). Taqsim Qanoun In Homayun Mode
(05). Sama'i Shat Araban
(06). Zikrayati (My Memories)
(07). Sama'i Nahawand
(08). Riqq Solo
(09). Sama'i Farahfaza
(10). Suzinak Sakiz Kasap Oyun Havasi
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Ziryab Trio consists of Taiseer Elias (oud), Nassim Dakwar (violin) and Zohar Fresco (percussion). "Mashreq Classics" was recorded live in the Jerusalem Theater during the Israel Festival in June, 1995. In this concert, the Ziryab Trio was accompanied by Avraham Salman (kanun) and Emmanuel Mann (bass).
"Ziryab was a musician in Haroun Al-Rashid's court in Baghdad (Iraq) in the 9th century. He was called the 'Black Bird' and was an extremely gifted singer, oud player and composer ... He founded a music school which made its way to the Magreb (North Africa) and he became a model for every aspiring musician in the centuries followed.Taiseer Elias was born in the Israeli Arab village of Shfaram, Taiseer is the leading figure in classical Arabic music in Israel ... He holds a Masters Degree in Ethnomusicology from the Hebrew University of Jerusalem. He is the founder of the Orchestra of Classical Arab Music in Israel and is presently the director of the music department of the Israeli Public Radio in Arabic as well as musical director of various television programs."

Musique Andalouse de Tanger الموسيقى الاندلسيه من طنجة Andalusian Music from Tangier ♪ Cheikh Ahmed Zaïtouni Ensemble مجموعة الشيخ احمد الزيتوني


Album :
Musique Andalouse de Tanger
الموسيقى الاندلسيه من طنجة
Andalusian Music from Tangier

Artists :
Cheikh Ahmed Zaïtouni Ensemble
مجموعة الشيخ احمد الزيتوني

Country : Morocco - المغرب

Melodies :
(1). Instrumental Introduction
موسيقى
Introduction instrumentale
(2). Blessed be Thou, oh Night - by he Who Has Conceived You
احسنت يا ليل -واللدي انشآك
Bénie sois-tu, ô nuit - Par celui qui t'a conçue
(3). She Came to See Me - the Almond Trees Are Redolent - oh my Companion, I See
و زائر زار - اللوز فاح - ارى اللوز من بعد
Elle m'a rendu visite - Les amandiers exhalent - Ô compagnon, je vois qu'après la vieillesse...
(4). Oh You Who Has Settled in my Captive Heart - your Beauty is Unique, You of the slender waist - Ôh beauteous star ...
يآ ساكنا قلبي المعنآ - يآ فريد العسر أهيف - قمر من فوق غصن
Ô toi qui as pris mon coeur captif pour demeure - Ta beauté est unique, toi dont la taille est si svelte - Ôh bel astre ...
(5). Violin Solo
موسيقى
Solo de violon
(6). Love for You Has Laid me Low - be Cautious in Your Love
افناني ذاء الحب - كن في عشقا
Ton amour m'a anéanti - Sois prudent dans ton amour
(7). I Thought That...
قد كنت احسب
Je croyais que...
(8). In the Beloved's Abode - my Body is so Frail - I Beseech You, Fairest of maidens
الى دار الحبيب - جسمي نحيل - لله يآ زين الصغار
La demeure de l'Aimé - Mon corps est si frêle - Je t'en conjure, toi la plus jouvencelles
(9). May God Never Separate the Lovers
لآ فرق الله شمل العاشقين
Puisse Dieu ne jamais séparer les amants
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Download From Here

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Musique Andalouse de Fès الموسيقى الاندلسية من فاس Andalusian Music From Fes ♪ Abdelkrim Raïs عبد الكريم الرايس

Album :
Musique Andalouse de Fès
الموسيقى الاندلسية من فاس
Andalusian Music From Fes
Artist : Abdelkrim Raïs عبد الكريم الرايس
Country : Morocco - المغرب
Melodies :
1 CD :
(1). Les Sept Tawachi De La Nouba Hijaz Al-Machriqi
سبع تواشي - نوبة الحجاز المشرقي
(2). Basit Raml Al-Maya
بسيط رمل الماية
(3). Mawwal De Abderrahim Souiri/Quddam Raml-Al Maya
موال لعبدالرحيم الصيري - قدام رمل الماية
2 CD :
(1). Btayhi Al-Rasd/Inchad, Abderrahim Souiri Et Abdelfettah Bennis/Quddam Btayhi Al-Rasd
بطايحي الرصد - انشاد عبدالرحيم الصويري و عبدالفتاح بنيس - قدام بطايحي الرصد
(2). Insiraf Basit Al-Istihlal
انصراف بسيط الاستهلال
(3). Insiraf Btayhi Al 'Uchchaq
انصراف بطايحي العشاق
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Download Part 1

Download Part 2

Les Aïssawa De Fès: Rituel de transe ♪ عيساوة فاس: طقوس تجلّ ♪ Aïssawa of Fes: Trance Ritual

Album :
Les Aïssawa De Fès : Rituel de transe
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عيساوة فاس: طقوس تجلّ
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Aïssawa of Fes : Trance Ritual

Artists :
Les Aïssawa De Fès عيساوة فاس Aïssawa of Fes

Country : Morocco - المغرب
Melodies :
(1). Tahlîl - Glorification
(2). Râkib Iburaq - Le Prophéte au Cheval Ailé
(3). Allahumma Salli - Chant de Louange
(4). Suite de Chants Hurm - Imploration
(5). Suite de Chants Haddun - Invocation de I'Un
(6). Dkhûl I-Hadra - Prélude à la Danse Extatique
(7). Mjerred - Danse des Initiés
(8). Jilâliyya - Sommet de la Cérémonie
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La confrérie Aïssawa, fondée par le Saint Sidi Mohammed Ben Aïssa, mort en 1526, fait partie des ordres mystiques donnant à la musique un rôle spirituel éminent. Leur conception de la musique opère une distinction très nette entre mélodie et rythme. La mélodie, purement passive, invite l'esprit à se complaire dans des spéculations imaginaires et le rythme, de nature active, ranime chez l'homme sa vie corporelle.

More About Aïssawa :

Tuesday, 25 March 2008

Chants du Moyen-Atlas أغاني من الأطلس المتوسط Songs From The middle Atlas ♪ Les Imazighen الامازيغيون The Imazighen

Album :
Chants du Moyen-Atlas أغاني من الأطلس المتوسط Songs From The middle Atlas
Artists : Les Imazighen الامازيغيون The Imazighen

Country : Morocco - المغرب
Melodies :
(01). A-Yelli Ino (Oh My Small One) Ô ma toute petite
Mohamed Maghnia and Mohamed Rouicha
(02). Wala Nabdû (Rather Than Be Seperated) Plutôt que la séparation
Tamawayt, izlan - Aïcha de Elhajeb & Bouazza L'arbi
(03). Di Lwaqt U-Nebdu Nagh Ma Yekat U-Dfel (Whether It Is Sunny or It Snows) Qu'il fasse beau ou qu'il neige
Tamedyazt, joute sur la tradition de l'art équestre, The theme of this "joust" is the criticism of the amedyaz profession
(04). Islan (Celebration) La fête
Ahidus, Cortège de mariage,wedding parade
(05). Akemmus (The Bundle) Le baluchon
Ahidus,cortège de mariage,wedding parade
(06). A Bab Nukxxam (Host) Maître de maison
Ahidus,cortège de mariage
(07). Anini Bismillah (In the Name of God) Au nom de Dieu
Ahidus,cortège de mariage,wedding parade
(08). Iberdane (The Paths) Les chemins
Izlan - Mohamed Maghni & Mohamed Rouicha
(09). Awal (The Word) Le mot
Tamedyazt,joute sur le thème de la contestation des anciens,the theme of this "joust" is the criticism of the amedyaz profession
(10). Amrêhba Saraw Imazighen (Welcome to the Imazighen Children) Bienvenue aux enfants des imazighen
Ahidus,cortège de mariage,wedding parade
(11). Lhâyat umedyaz (The Life of a Poet) La vie de poète
Tamedyazt,joute critiquant le métier de l'amedyaz,the theme of this "joust" is the criticism of the amedyaz profession
(12). Urda wa gangh (I Sleep No More) Je ne dors plus
Izlan - Moha Oulmoudden
(13). Iqqur lhênna (The Henna Is Dried Out) Le henné est desséché
Ahidus,cortège de mariage,wedding parade
(14). Ay ixef inu (Oh My Soul) O mon âme
Izlan - Mohamed Rouicha
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La Daqqa:Tambours sacrés de Marrakech الدقة:طبول مقدسة من مراكش The Daqqa:Sacred drums from Marrakech ♪ ElHadj Abdeslam Ensemble فرقة الحاج عبد السلام


Album :
La Daqqa: Tambours sacrés de Marrakech
الدقة: طبول مقدسة من مراكش
The Daqqa: Sacred drums from Marrakech

Artists : El-Hadj Abdeslam Ensemble فرقة الحاج عبد السلام

Country : Morocco - المغرب

Melody :
Aït تسميع و إلقاء Récitatif
O1: 02 :28
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Download From Here

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Al-Samâa: Audition spirituelle extatique برنامج السماع الصوفي للشيوخ والاقطاب الصوفيين Al-Samâa:Ecstatic spiritual auditio ♪ Ihsan Rmiki احسان الرميقي


Album :
Al-Samâa: Audition spirituelle extatique
برنامج السماع الصوفي للشيوخ والاقطاب الصوفيين
Al-Samâa: Ecstatic spiritual auditio

Artists :
Ihsan Rmiki and Ensemble Al-Jûd احسان الرميقي ومجموعة الجود

Country : Morocco - المغرب

Melodies :
Premiére étape de la voie/First stage along the path
(1). Salutations Allégeance-Greetings Allegiance --The abandonment of all worlds - Abondon de tous les mondes -- Atteindre de L'union spirituelle/ Spiritual Union
.
Deuxième étape de la voie/Second stage along the path
(2). Célèbration du bien aimé/ Celebration of the beloved -- The path of ecstasy/Chemin de l'inresse -- Aboutissement de la quéte/ Quest is accomplished
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Download From Here

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The official site. Includes news, photos, biographies, interviews, reviews, and tour dates
http://www.ihsan-rmiki.com/
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Zaman Al wasel : Chant Arabou-Andalous
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La chanteuse marocaine Ihssane Rmiki vient de sortir son premier album de musique soufie sous forme d'un CD de 50 minutes, produit grâce au concours de l'institut du monde arabe à Paris.
Cet album, qui sera distribué d'abord en Europe, est un hommage aux grands maîtres du soufisme tels Abou El Hassan Achouchtari, Al Harrak, Abou Madiane El Ghaout, Abderrahmane El-Majdoub et bien d'autres. "Il est le fruit de plusieurs années de travail intense", a confié à la MAP cette adepte de la musique soufie, qui a débuté sa carrière artistique dans la musique andalouse et les "mouachahate".
La musique soufie constitue, pour la jeune chanteuse, beaucoup plus un retour aux sources qu'un simple style très prisé par un nombre grandissant de chanteurs car, précise-t-elle, il semble être de plus en plus dans l'air du temps.
Pour elle, ce retour vers la musique sacrée n'est autre qu'un retour aux traditions musicales marocaines les plus originales, telles qu'elles étaient exécutées de manière collective au sein des confréries notamment lors des fêtes.
En fait, si autrefois les chansons soufies ont été interprétées collectivement dans une atmosphère de transe et de "dikr", ce style opte davantage, aujourd'hui, pour une interprétation en solo et dans une ambiance plus festive, bien que toujours aussi spirituelle, assure Ihssane Rmiki.
C'est d'ailleurs ce changement dans la présentation de cet art, affirme la jeune chanteuse, qui lui assure une audition de plus en plus large, notamment parmi les fans des pays occidentaux qui, au-delà d'une curiosité intellectuelle bien légitime, tentent de pénétrer les mystères du sacré à travers les rythmes et les poèmes de la chanson soufie.
Originaire de Ksar El Kébir, Ihssane Rmiki a été dorlotée, dès son jeune âge, par le Samaâ et le Madih dans les zaouïas Tijaniya et harrakiya, son père étant un tijani des plus notoires de la région.
Cependant, bien avant la sortie de son album, Ihssane avait déjà réussi à se faire un petit nom en tant que cantatrice d'un talent certain et ce, depuis qu'elle a chanté il y a des années lors d'une soirée artistique organisée par l'Institut du monde Arabe à Paris.
Elle a récidivé avec le même franc succès lors de sa première participation au festival de Fès des musiques sacrées du monde. On parlait déjà, d'une étoile qui perçait le monde restreint de la chanson soufie.

Chants d'allégresse أغاني ابتهاج Songs Of Rejoicing ♪ Les Femmes de Tétouan نساء تطوان The Women of Tetouan

Album :
Chants d'allégresse أغاني ابتهاج Songs Of Rejoicing
Artists :
Les Femmes de Tétouan نساء تطوان The Women of Tetouan
Country : Morocco - المغرب
Melodies :
(1). Ya Bent Bledi (The Girl from My Country)
يا بنت بلادي
(2). Kif Na'mal Ma Nebkich (How Can One Not Cry)
كيف'نعمل ما نبكيش
(3). Laghram Mana' Wa S'Ib (The Difficulty of Love)
الغرام مانع و صعيب
(4). Laghram Ma'andou Dwa (There Is No Remedy for Love)
لغرام ما عندو دوا
(5). l'Ouchaq Fnît Ana (I Am Dying)
العشاق فنيت انآ
(6). Laghram Bayen Fiyya (Madly Besotted)
لغرام باين فيا
(7). Al Mout Ba-Ddra' (To Die of Love)
الموت بالذراع
(8). Lahbiba Aw Jarrahtini (beloved wounded)
لحبيبة أو 'جرحتيني
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Monday, 24 March 2008

L'appel des oasis نداء الواحات The call of the oases ♪ Compagnies musicales du Tafilalet المجموعات الموسيقية لتافيلالت Companies musical of Tafilalet

Album :
L'appel des oasis نداء الواحات The call of the oases


Artists :
Compagnies musicales du Tafilalet المجموعات الموسيقية لتافيلالت Companies musical of Tafilalet
° Compagnie Jellouli and Gdih (1,2)
° Compagnie Meskaoui (3,4)
° Compagnie ElHashemi Nhass (5,6)
° Compagnie ElHamri (7,8)


Country : Morocco - المغرب

Melodies :
°1°. Ces Montagnes Qui Te Cachent De Moi
الجبال اللي درقوك عليَّ
These Mountains Hiding You from Me

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°2°. Pièce Instrumentale
قطعة موسيقية

Instrumental Piece

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°3°. Ainsi Va Ma Vie
أيامي يامي
That's the Way Life Goes

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°4°. Improvisation Instrumentale

ارتجال موسيقى
Instrumental Improvisation

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°5°. Brûlure D'Amour
اللكويني
Consumed by Love

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°6°. Improvisation Instrumentale Pour Flûte & Violon
ارتجال موسيقى بالناي و الكمان
Instrumental Improvisation for Flute and Violin

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°7°. Les Saints De La Région
يا رجال البلاد
The Saints of the Region

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°8°. Sans Motif, Sans Rien
بلا سبة بلا سباب
For No Motive, For Nothing

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The Malhûn à Marrakesh ملحون مراكش Le Malhûn in Marrakesh ♪ Amenzou Ensemble مجموعة امنزو

Album :
The Malhûn à Marrakesh ملحون مراكش Le Malhûn in Marrakesh

Artists : Amenzou Ensemble مجموعة امنزو
Country : Morocco - المغرب
Melodies :
(1). Nezha نزهة
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(2). Meryem مريم
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(3). L-Tbib الطبيب
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(4). Tamu طامو
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(5). L-Saqi الساقي
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(6). Fesl I-Rbi' Gebbel فصل الربيع,قبل
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Download From Here

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The Malhûn of Meknes ملحون مكناس Le Malhûn de Mèknes ♪ El Hadj Houcine Toulali الحاج الحسين التولالي

Album : The Malhûn of Meknes ملحون مكناس Le Malhûn de Mèknes
Artist : El Hadj Houcine Toulali الحاج الحسين التولالي
Country : Morocco - المغرب
Melodies :
(1). Sir'a A Nâker Lehsân سير يا ناكر الاحسان
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(2). Fadhma فاطمة
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(3). Lhârraz الحراز
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(4). Ruf A Dabel Le' Yan روف ادابل العيان
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Sunday, 23 March 2008

East Meets East الشرق يلتقي الشرق ♪ Ensemble Arabandi مجموعة عربندي

Album : East Meets East الشرق يلتقي الشرق
Artists : Ensemble Arabandi مجموعة عربندي
- K. Sridhar(Sarod)
- Zohar Fresco (darbukkah and frame drum)
- Shahsar. Amir(ney and vocals)
- Taiseer Elias(oud and violin)
Country :
Turquie - Israel -India - Palestine - تركيا - اسرائيل - الهند - فلسطين
Melodies :
{01} - Bint elshalabia (Lovely Girl)
{02} - Seven Gates
{03} - Dawn
{04} - Shisheler
{05} - Arabandi
{06} - Frame Drum Monologue
{07} - Bandar
{08} - Durbarod
{09} - Hope
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Recorded live in Tel Aviv, Arabandi emerged from the meeting of exceptionally gifted international musicians from diverse eastern cultures - Persian, Arabic, Hindustani - with a desire to explore the common roots of these traditions and their instruments. In contrast to other musical encounters between East and West, Arabandi is a unique fusion of East and East.

Mediterráneo ♪ Eduardo Niebla & Adel Salameh


Album : Mediterráneo

Artists : Eduardo Niebla & Adel Salameh

Country : Palestine - Spain -:- اسبانيا -فلسطين

Melodies :
(1) - Mediterraneo
(2) - Andalucia
(3) - Jardines del Corazon
(4) - Oasis
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Download From Here

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http://www.eduardoniebla.com/

http://www.adelsalameh.com/
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Le Coeur a ses raisons للقلب أسبابه The heart has its reasons ♪ Asmahan,Amal AlAtrach - أسمهان, أمال الاطرش


Album :
Le Coeur a ses raisons للقلب أسبابه The heart has its reasons

Artist : Asmahan,Amal AlAtrach - أسمهان, أمال الاطرش

County : Syria - سوريا

Melodies :
{1}.Sahirtou Loul El Leil
سهرت طول الليل
{2}.Ya Habibi Taala
يا حبيبي تعالى
{3}.Nour Elouyoun
نور العيون
{4}.Ahwa
أهوى
{5}.Ya Layali Elbichar
يا ليال البشر
{6}Layta Lel Barrak
ليث للبرّاق
{7}.Konti Elamani
كنت الاماني
{8}.Aleik Salat Allah
عليك صلاة الله
{9}.Emta Tioud
إمتا تعود
.

Download From Here

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♪ Asmahan Website
♪ Asmahan On Wiki
.
Her real name is Amal Al Atrache. Sister of the Great Farid El Atrache. Their parents are Princess Alia and Prince Fahd Al Atrache.After the great success that Farid had been in the national radio station as a singer, his sister's talent was discovered by Mouhammad Al Qasabji, and she was given, by Daoud Housni(who later took care of training her), a classy name, Asmahan.
Like the older members of the family, she came from the Djebel Druse where her forebears were the Emirs until Lebanon and Syria became a French mandate.
Born in 1918, she lived in Lebanon until 1920, when her father was appointed Governor of the Province of Demergi in Turkey. He soon returned, however, to spend the remainder of his lifeas an ordinary citizen in his native mountains. Asmahan's father died in 1924, when she was only six, and her family then emigrated to Egypt, where the little princess, who had been cherished by her father, was to experience the hardships which befall a family that has fallen upon evil days. Although of noble origin, her mother Set Aleya was reduced to singing at private parties to support herself and her children, three boys and a girl, the future Asmahan. Everyone in the family could sing, but success was only to crown the efforts of the two more gifted: Farid and Asmahan.
Asmahan knew something about the European way of singing - perhaps she had gained it just by listening - and she probably unconsciously made use of this knowledge when interpreting genuinely authentic Arabic songs. This is very noticeable in for example "dakhalt marra fignina" by Mid'het Assem and "ya tûyûr" by Kassabgi. Yet an Arabic listener was not disturbed by this foreign element for Asmahan was at the same time a past-master of every aspect of Arabic song. This voice, alas too soon silenced, dominated Arabic singing in the thirties to such an extent that - with the possible exception of ZakariaAhmed - composers who were working for Ûm Kalsûm wanted to work with Asmahan.
It was "aleïk salat allah", a chant composed by Farid Elatrash that launched her as a singer. He had composed it as a musical illustration to the film El Mahmal Esharif, afilm about the caravan transporting every second year the embroidered material going to shroud the Sacred Shrines: black velvet for the Kaaba, green silk for the Tomb of the Prophet in Medina. It's the waqf - a Cairene religious association whom tied up legacies have been bequeathed through the years - that gets a number of unpaid women to embroider them. The song above was first interpreted by Farid; then the producer preferred the interpretation by Asmahan, the one which was going to be known all over the world in the1937-38.
Asmahan never fell into the trap of interpreting the works of one composer alone, as Faïza Ahmed, and Warda at the beginning of her career, later did. She cooperated with her brother Farid in the film "intissar echabab" and "gharam wentiqam" but she insisted on singing songs by other composers. She collaborated with Kassabgi, Riad Sombati and even with Abdelwahab (in the Operette " magnûn Leïla" in the film "yûm saïd ") although he was noton good terms with her brother at the time.
The way Asmahan sang her songs awakened people and intrigued their ear accustomed to traditional music. The song"ayûh ennaïmû" by Riad Sombati in the film "gharam wentiqam" proved that it is possible to give a highly dramatic interpretation of an Arabic song without losing its Oriental character.
She died in 1944 in a car accident caused, it is rumoured, by the war waged between the secret services in Cairo during World War II.
Although her life was short her influence on Arabic singing will stil be felt for a long time. Whereas Ûm Kalsûm brought classical singing to a perfection surpassing that aimed at by hermasters such as Abû al-°Ila, Asmahan's style of interpretation has enriched Arabic song by opening a window to the music of the Western World, without obliterating the fundamental difference between the two sorts of music. The mastery she displayed when interpreting an Arabic songin the classical manner such as "leïta lilbarraqi aïnan" was equalled by that she showed when singing "ya tûyûr" in a styleinfluenced by Western technique, and the wonder is that, in doing so, she did not disturb in the least Arabic listeners.

Saturday, 22 March 2008

Danzas Medievales Españolas ♪ Eduardo Paniagua Group


Album : Danzas Medievales Españolas

Artists :Eduardo Paniagua Group
- Cesar Carazo (voice, viola de brazo),
- Wafir Sheik (oud, darbuga, drum, rattles),
- Jaime Muñoz (axabeba, kaval, chalumeau, dulcimer, rattle),
- Enrique Almendros (three-holed flute, bagpipe, salamenca flute & tabor, tar, hand cymbals, handbells),
- Luis Delgado (hurdy-gurdy, lute, vihuela da pinola, santur, fujara, clay pitcher, darbuga, zarb, bendir, tambourine, drum, tar),
- Eduardo Paniagua (recorders, nay, fujara, psaltery, tromba marina, darbuga, tar, hand cymbals, caraqueb, rattles).

Country : Spain - Sudan -:- اسبانيا - السودان

Melodies :
Raimbaut de Vaqueiras, Paris, BN, Ms R-62:
{1}.Stampie "Calenda maia"
Anon., Spain, 13th c., Paris BN Ms W-186 Manuscrit du Roi:
{2}.Virelay dance: Ben vòlgra, s'èsser poguès
Alfonso el Sabio (attr.): Cantigas de Santa María
{3}.CSM 167: La Mora de Borja "Quen quer que ha Virgen Fia"(instr.)
Trad., Tunisia
{4}.Nawâ: Shanbar
Magister Ato, Episcopus Trecensis, Codex Calixtinus fol. 188 v.:
{5}.Prose "Portum in ultimo"
Alfonso el Sabio (attr.): Cantigas de Santa María
{6}.CSM 406: Las mayas "Ben vennas, Mayo, e con alegria"
Anon., Spain:
{7}.Rasd al-dhîl Bashraf Sammâi
Teobaldo I, King of Navarra:
{8}.Chançon d'amour "Li Rosignox"
Alfonso el Sabio (attr.): Cantigas de Santa María
{9}.CSM 281: Caballero de Françia "U ulguen a Jhesu Cristo" (instr.)
Teobaldo I, King of Navarra:
{10}.Jeu-parti: Phelipe, je vous demand
Teobaldo I, King of Navarra, Paris, Chansonnier de l'Arsenal:
{11}.Chançon: Dame
Magister Goslenus, Episcopus Suessionis, Codex Calixtinus fol. 185 v.:
{12}.Trope: Gratulantes celebremus festum
Anon., Turkey (Istambul)
{13}.Maqam Hedjaz "Llamada a la Oración" (Call to Prayer)
Alfonso el Sabio (attr.): Cantigas de Santa María
{14}.CSM 168: La mujer de Lérida "En todo logar á podera Virgen" (instr.)
Anon., Spain:
{15}.Asbasayn Mosaddar
Martim Codax: Cantiga de Amigo # 5
{16}.Quantas sabedes amar
Anon., Spain, 14th c.: Llibre Vermell, Montserrat Ms.
{17}.Polorum regina
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Gilad Atzmon and The Orient House Ensemble -:- جيلاد اتزمن ومجموعة بيت الشرق


Album :
Gilad Atzmon and The Orient House Ensemble
جيلاد اتزمن ومجموعة بيت الشرق

Artists :
Gilad Atzmon (founder/bandleader/clarinet, saxophones),
Asaf Sirkis (drums & bandir),
Frank Harrison (piano, melodica),
Yaron Stavi (bass).

Country : Israel - اسرائيل

Melodies :
{1}. Pardonnez Nous (Trad. Ladino)
{2}. Shir (G Atzmon)
{3}. Miron Dance (Trad. Ladino)
{4}. Nard-ish (M. Davis)
{5}. Rai Print (W. Shorter)
{6}. Miserlou (Trad. Turkish)
{7}. Orient House (G Atzmon)
{8}. Balladi (G Atzmon)
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Posted by FolkmusicSMB :
Exile -- Gilad Atzmon & The Orient House Ensemble -- المنفى - جيلاد
http://folkmusicsmb.blogspot.com/2008/02/exile-gilad-atzmon-orient-house.html

Moment of Creativity: Musical Instruments Replaced by Pot and Dishes -:- لحظة إبداع : الوعاء والأطباق حلت محل الآلات الموسيقيه

Masterpieces of Andalusí Chant. Ibn Sahl of Sevilla 1212-1251 روائع الانشاد الاندلسي. ابن سهل من سفيليا -:- Omar Metioui - عمر المتيوي


Album :
Masterpieces of Andalusí Chant. Ibn Sahl of Sevilla 1212-1251
روائع الانشاد الاندلسي. ابن سهل من سفيليا 1212-1251

Artists :
Musical Director, Omar Metioui - برئاسة عمر المتيوي
Ahmed Al Gazi - Darbuga, 4-7-10, Rabab, 12
أحمد الغازي - الرباب والدربوكة
Adnan Sefiani - Chant, 1-2-9-10-11-12
عبدالسلام السفياني - انشاد
Hasan Ajyar - Chant, 1-2-6-7-8-12
حسن اجيار - انشاد
Omar Metioui - 'Ud(Lute)
عمر المتيوي - العود
Saad Temsamani - Chant, 1-2-3-4-5-12
سعد التمسماني - انشاد
Eduardo Paniagua - Darbuga, 12
ادواردو - الدربوكة

Country : Morocco - المغرب

Melodies :

I Tab' r-Rásd
(♪) Inshád- Laqad Kuntu Aryú
(♪) Tajlíl Basít- Dá'ú l-Hawá
II Tab' s-Síka
(♪) Inshád- Yamínan Bi-díní
(♪) Tajlíl Basít- Yá Sáliba l-'Aqli
(♪) Muwwál- Lammá Ra'á-ní
III Tab' Rásd d-Dayl
(♪) Inshád- Adhúqu l-Háwá
(♪) Tajlíl Basít- Sal Fí dh-Dhalám
(♪) Muwwál- Qalbu l-Mu'anná
IV Tab' al-Hiyáz al-Kabír
(♪) Inshád- Y'a Burayqa l-Ghawri
(♪) Tajlíl Basít- Hal Tashtafi
(♪) Muwwál- Danifun Qada
V Tab' 'Iraq al-'ayam
(♪) San'a- Al-Ardu Qad Labisat
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Thursday, 20 March 2008

Andalusí Lute العود الأندلسي Lute Andalusian -:- Omar Metioui عمر المتيوي


Album : Andalusí Lute العود الأندلسي Lute Andalusian

Artist : Omar Metioui عمر المتيوي

Country : Morocco المغرب

Melodies
:
Tab' s-Sika
♪ Taqsim
Tab' al-Hiyaz al-Kabir
♪ Bugya
♪ Twisya de la Nuba
♪ Taqsim
♪ Twisya de la San' a
Tab' al-Istihlal
♪ Taqsim
♪ San' as Dary
Tab' 'Iraq al-'Ayam
♪ Kursi Basit
♪ Taqsim
♪ Twishya de la Nuba
Tab' s-Sahli
♪ Taqsim
♪ Muwwal (Show them, haughty and alluring), Ibn al-Farid (1181-1235)

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Ensemble Iness Mêzel {Fatiha Messaoudi+Malika Messaoudi} -:- Wedfel

Fatiha Messaoudi
Album : Wedfel

Artists : Ensemble Iness Mêzel{Fatiha Messaoudi+Malika Messaoudi}

Country : Algeria الجزائر

Melodies :
♪ . Wedfel .♪
♪ . Ado .♪
♪ . Aya Hedat .♪
♪ . Agour .♪
♪. Ifassen .♪
♪. Awah .♪
♪. Laaven Yissnay (Intro) .♪
♪. Laaven Yissnay .♪
♪ . Lahvev .♪
♪ . Taiga .♪
♪ . Aya Hedat .♪
♪ . Our Yi Nouy .♪
♪ . Slassen Kan .♪
♪ . Wedfel .♪
-
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More About Ensemble Iness Mêzel
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Tunisie - Anthologie Du Malouf, Musique Arabo-Andalouse "NÛBA AL-SÎKA" -:- منتخبات المالوف التونسي - نوبة السيكاه


Album :
Tunisie - Anthologie Du Malouf, Musique Arabo-Andalouse "NÛBA AL-SÎKA"
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منتخبات المالوف التونسي - نوبة السيكاه
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Tunis - Anthology The Malouf, Arabo-Andalusian Music "NÛBA AL-SÎKA"

Artists :
Ensemble De Musique Traditionelle de Tunisie avec Naceur Zghonda: Violon, Mohamed Lejmi: Nay, Direction Fethi Zghonda
.
مجموعة تونس للموسيقى التقليدية مع الناصر زغندة : كمنجة,ومحمد اللجمي : ناي ,بقيادة فتحي زغندة
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, Director: Fethi Zghonda with Naceur Zghonda, violin and Mohamed Lajmi, nay.

Country : Tunis تونس

Melodies :
♪ 1 ♪ Istikftâr et Msaddar الاستفتاح والمصدر
♪ 2 ♪ Abyât الابيات
♪ 3 ♪ Btâyhî n°1 & 2 بطايحي أول وثان
♪ 4 ♪Tûschiya توشية حسين
♪ 5 ♪ Barawil البراول
♪ 6 ♪ Draj الدرج
♪ 7 ♪ Khafîf الخفيف
♪ 8 ♪ Khatm n° 1 & 2 ختم اول وثاني
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