Ghazal The Rain (Kayhan Kalhor, Shujaat Husain Khan)
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Melodies :
Melodies :
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(1) - Fire
(1) - Fire
(2) - Dawn
(3) - Eternity
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As on their previous releases, this much-admired Persian/Indian crossover duo have created a separate yet spacious universe that is tranquility incarnate. The musicans, who have named themselves after an ancient form of romantic poetry, perform on sitar (a multi-stringed Indian plucked instrument with a tall fretboard attached to a resonating gourd) and kamancheh (a sonorous but gutty-sounding spike fiddle) and voice, accompanied by a tabla virtuoso (a tuned skin drum commonly played in India and Pakistan). They wander hither and yon, seemingly traveling between dimensions of time, thought, and feeling. People who find Indian classical music too demanding for a beginner and/or have no idea what Persian music sounds like need have no fear. These three extended pieces, called "Fire," "Dawn," and "Eternity," may be somewhat rarified but they are also utterly accessible. Performing live before a respectfully rapt audience, Ghazal is at once sensuous, austere, fiery, and spiritual. --Christina Roden.
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